Kimberly is probably the "rhythmic flagship" of the Horses album. For this reason and right from the start, I intented to produce a set of small format pieces for this composition, a bit like musical notes on a staff, a series of more or less abstract pieces, very sequenced. Small but identical formats in size, in order to highlight as well the very even and linear aspect of Kimberly, which varies slightly on its basic melody, a song almost "spoken" with hammered words, but which is nevertheless beautiful and hypnotic, precisely because of this chanted phrasing so specific to Patti Smith's expressive art.
Thus, the idea of traveling within Smith’s composition through a child's eyes, as if things were finally seen and felt by the young Kimberly emerged naturally. I consequently used as a medium what children do spontaneously -their drawings. Often so clumsy, yet always full of freshness and spontaneity. I tried to summon, to remember and to restore this spontaneity that I had known as a child, without artifice, without special skills, in particular without trying to build things, preventing myself from erasing and avoiding the temptation to start all over again.
This type of expression is something that I had previously experienced with my 2010 series "Construção!" (inspired by the construction site of Brasilia), and which found a natural extension in Kimberly, under some different shapes and meaning but in the same principle of seeking "raw" expression. That of youth, and innocence.
And I can gaze deep into your starry eyes,
baby, looking deep in your eyes, baby,
Looking deep in your eyes, baby..
Kimberly
Patti Smith – Horses (1975)